29 May - 2 June 1984, Free Theatre, The Arts Centre
7-9 June 1984, Dunedin Tour, Allen Hall 19-21 July 1984, Free Theatre, The Arts Centre, Return season The play, written by Stuart McKenzie, a member of the Free Theatre group, explores the subject of rape through a series of mental images which make up the private world of Suzannah, a woman who is raped. Highlights are the grimly stylised rape scene and the brutally realistic police and medical examinations which follow.
The production is structured as a relentless mechanism in which the six actors take on various characters in varying degrees of sylisation. These characters become components of Suzannah's mind - people she has met, situations she has experienced. She is thus a recording machine. When the overt physical act of rape occurs, it is a direct reult of subtler emotional and mental manipulation by a male-dominated society in which role-playing and deceit are the norm. Members of the group are aware of the sensitive nature of the subject and are adament that their aim is not to make a moral judge,ent or to point the finger at men. They aim to examine the phenomenon of rape within a theatre format. The theatre becomes a laboratory-workshop in which the motivations of people are placed under a microscope. Mr McKenzie gathered his material directly from the experiences of the cast. Responsibility for direction of the play has been undertaken by the group as a whole. Press Release |
Reviews...brief but intense... The performance is strong and painful. Julia Allen could hardly play the difficult part better than she does. This short, concentrated, avant-garde presentation is one of the best productions to come out of the Free Theatre.... an intelligent, unconventional, well crafted piece of theatre which is much to the credit of both writer and cast. ...one of the best plays I have seen for a long time.... one of the most intelligent and intelligible treatments of the theme free of any emotional or intellectual extravagance and mercifullly honest.... an appointment with a theatrical event of lasting value. This play, and its production, is full of interest both for what is achieved and what is not. Articles |