FREE THEATRE CHRISTCHURCH
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  • PRODUCTIONS 1979 - present
    • The Cat Eleonore
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    • Beggars Banquet
    • Woyzeck
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    • Endgame
    • Digitising Performance
    • Erewhon: Over the Range
    • A Summer Night's Dream
    • How Dare You
    • A Winter's Tale
    • Ars Acustica
    • Alice
    • The Black Rider
    • Frankenstein
    • The Mauricio Kagel Project
    • Footprints/Tapuwae
    • Kafka's Amerika
    • Ubu Nights >
      • Past Ubu Nights >
        • Ma Ubu Night
        • Ubu Through the Looking Glass
        • Ubu in Wonderland Ubu Night
        • Frankenstein Ubu Night
        • Casablanca Ubu Night
        • Faust Ubu Night
        • Not Hamlet Ubu Night
        • Punk Ubu Night
        • The Art of the Deal Ubu Night
        • Crossroads Ubu Night
        • Ubu Shows Us the Way to Brecht's Whiskey Bar
        • The Devil and the Blues Ubu Night
        • Bowie Ubu Night
        • Warhol Ubu Night
        • Berlin Kabarette
        • Beat Ubu Night
        • Twin Peaks Ubu Night
        • David Lynch Ubu Night
        • Kafka Ubu Night
        • Tango Ubu Night
        • Ubu Ubu Night
        • Lovecraft Ubu Night
    • Canterbury Tales
    • The Soldier's Tale
    • Bluebeard's Castle >
      • Bluebeard's Castle credits
    • I Sing the Body Electric
    • Big Heads Protest
    • Hereafter
    • Passion, Pulse and Power
    • The Earthquake in Chile
    • Don Giovanni Invites you to Dinner
    • Doctor Faustus
    • The Marvellous Corricks >
      • Corricks - Credits
    • Distraction Camp
    • Remake
    • Ella and Susn
    • There and Back Again
    • Faust Chroma
    • Enigma Emmy Goering/Nico Sphinx of Ice
    • Change Proposal
    • Faust Feast
    • Diana Down Under
    • Philoctetes >
      • Production Credits - Piloctetes
    • Fantasia
    • Christmas Shopping
    • Grimm's Sleeping Beauty
    • Achternbusch in the Antipodes
    • Caucasian Chalk Circle
    • Samson Airline
    • Antigone
    • Kabarett Kabul
    • Footprints/Tapuwae
    • The Well Intentioned Wife
    • The Last Days of Mankind
    • Bakkhai / Diotek
    • Krapp's Last Tape
    • Murderer Hope of Women / The Philosopher's Stone
    • Comrade Savage
    • Love on a Bicycle
    • Crusoe: A Lapsarian Mass in Twelve Movements
    • Medea
    • Songs to the Judges
    • Resolution Island
    • Oedipus Rex/Oedipus at Colonus
    • The Empire Builders
    • States of Shock
    • Robinson Crusoe or: I That Was Born To Be My Own Destroyer
    • Power
    • MedeaMaterial
    • Salome
    • Electra
    • The Girl Who Sings Waterfalls
    • Hamletmachine
    • Oresteia
    • A Respectable Wedding
    • Bitter Tears of Petra von Kant
    • Cloudkiwiland
    • Double Act / Postponeless >
      • double act credits
    • Preversions
    • The Mortal Pleasure of Wander Lust
    • Red Cross & Takeaway
    • Lulu
    • Cowboy Mouth
    • The Meeting >
      • the meeting credits
    • Action / Tongues
    • The Rise and Fall of the City of Mahagonny
    • A Letter from L
    • Dinosaurs and All the Rubbish / The Hunting of the Snark
    • Free Theatre Christmas Show
    • The Ride Across Lake Constance
    • Electra
    • In Three Minds
    • The Rapist Over Suzannah
    • 1984: The Future Is Now
    • Make-up Ground down / Texts for Decomposition
    • Leonce and Lena
    • Court Case: Free Theatre vs The Arts Centre
    • The Almost Free Theatre Kabernette
    • The Joffongract
    • King Lear
    • Kabarett
    • King Ubu
    • Black Cat Cabaret
    • The Gas Heart/Ox on the Roof/The Mirror Wardrobe One Fine Evening
    • Jazz Cellar Dada / Heavy Metal Cabaret
    • Round Dance
    • Woyzeck
  • Te Puna Toi
    • Past Te Puna Toi Projects
    • Artists in Residence
  • SUPPORT
  • CONTACT
This bold and challenging work is compelling theatre of the highest calibre
Judges' comments, 2012 Dunedin Fringe Festival
22 February - 3 March 2012, The Tannery, Christchurch
21-23 March  2012, Temple Gallery, Dunedin Fringe Festival
Nominee, BEST OF FRINGE, 2012 Dunedin Fringe

Nominee, BEST THEATRE, 2012 Dunedin Fringe
Nominee, STAND-OUT PERFORMER (George Parker), 2012 Dunedin Fringe
Winner, 'GET TO ADELAIDE FRINGE' Award, 2012 Dunedin Fringe Festival
Production Credits
In Hereafter, author and filmmaker Werner Fritsch, described by the German magazine Der Spiegel as “Germany’s boldest poet”, dares to go deep down into the soulscape of a man who all his life was under the spell of the underworld.

Wolf “Sexmachine” Bold, who is a suspect for the murder of his wife Cora, the mother of his son Felix, is beyond reality and hallucination, perhaps even beyond his own body. Before the police can arrest him he is threatened by somebody hiding behind a carnival mask of Hitler and holding a revolver to his head. But who is the man behind the mask? Director Peter Falkenberg has translated and adapted this radical monologue in which a man reflects in seconds of horror on what remains in his memory and what dominates our pictures of sex and violence.

Hereafter uses video to provide a Christchurch context from an underworld point of view and juxtaposes the often inarticulate male voice with a female singing voice and double-bass that comment upon, balance, counteract and provide an emotional subtext to the production. This project is a continuation of the collaboration between Fritsch and Free Theatre that in 2008 led to Faust Chroma, nominated for Most Original Production at the 2009 Chapman Tripp Theatre Awards and described by Radio New Zealand’s Lynn Freeman as “mindblowing”, “gutsy” and “quite unlike anything I’ve seen before”.

In cooperation with the Goethe-Institut, Werner Fritsch was in residenence in Christchurch during the development of this work and for its premiere on February 22nd at The Tannery where he was present for a post-show discussion.

​During his stay, Fritsch was again hosted by Te Puna Toi (Theatre and Film Studies, UC), which organized a preview of Fritsch’s film Faust Sonnengesang.

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Publicity

Fantastic Fringe Fun is all french to me
Nigel Benson, Otago Daily Times

New Theatre
The Press, 17 February 2012

Research

Emma Johnston used Hereafter as material for her PhD research Between Liminality and Transgression: Experimental Voice in Avant-garde Performance, Emma Johnston, PhD 2014
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Reviews

It is light years away from the comfortable, the predictable, the classic. It is provocative in the best sense. Peter Falkenberg's direction is appropriately unflinching.

​A challenge to leave our comfort zones
Lin Clark, Theatreview, 23 Feb 2012
...the play was one of the hardest I have ever had to sit through.... I just can't see the average student audience appreciating this one; even the non-engineering crowd.

Hereafter
Nicole Howard, CANTA, undated
In a rugged Woolston alley where Canterbury quakes hit hard / 
An industrial area of Christchurch was where the Theatre Art. / 
Down the ragged driveway past the Brewery Pub, rubble, bricks and / Broken dreams towards the Theatre Hub.


Voices in the rubble
Adele
For an hour and a half we are subjected to a manic monologue, delivered with unflagging energy and absolute conviction.... This is undoubtedly challenging theatre. But if you have the stomach for it, you are in for a powerful and memorable experience.

Challenging theatre for those with the stomach for it

Terry MacTavish, Theatreview, 22 March 2012
But we have heard this all before, in many, many, many different stories, films, plays, operas and songs, not only those of Germany in the lead up to WWII, but also internationally. Hereafter is more explicit in its sexual language, but so what? I do not need one to tell me about sperm found in a dissected corpse to know that it is there.

Making the conceptual and experiential link between performance on stage and performance in the gallery
Jonathon Marshall, Theatreview, 25 March 2012
In George Parker's delivery, Wolf is a completely recognisable Kiwi bloke, whom any of us might love or hate to know.... Stick it out, and you will find in yourself a greater and perhaps even useful understanding of various kinds of toxic thinking in our world.

Toxic thinking explored in bold German work

Elizabeth O'Connor, The Press, Friday 9 March 2012
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  • HOME
  • ABOUT
    • Manifestos and Writings
    • A brief history...
    • Who We Are
    • The University Connection
    • Shirley Horrocks documentary
    • Training and Devising
    • Home, Space and Design
  • WHATS ON
    • The Passionate Puritan
  • EDUCATION
    • Kids Holiday Programmes
    • Schools Workshops
    • Adult workshops
  • PRODUCTIONS 1979 - present
    • The Cat Eleonore
    • The Deadbeat Opera
    • Babylon Berlin
    • Beggars Banquet
    • Woyzeck
    • The Axe
    • Endgame
    • Digitising Performance
    • Erewhon: Over the Range
    • A Summer Night's Dream
    • How Dare You
    • A Winter's Tale
    • Ars Acustica
    • Alice
    • The Black Rider
    • Frankenstein
    • The Mauricio Kagel Project
    • Footprints/Tapuwae
    • Kafka's Amerika
    • Ubu Nights >
      • Past Ubu Nights >
        • Ma Ubu Night
        • Ubu Through the Looking Glass
        • Ubu in Wonderland Ubu Night
        • Frankenstein Ubu Night
        • Casablanca Ubu Night
        • Faust Ubu Night
        • Not Hamlet Ubu Night
        • Punk Ubu Night
        • The Art of the Deal Ubu Night
        • Crossroads Ubu Night
        • Ubu Shows Us the Way to Brecht's Whiskey Bar
        • The Devil and the Blues Ubu Night
        • Bowie Ubu Night
        • Warhol Ubu Night
        • Berlin Kabarette
        • Beat Ubu Night
        • Twin Peaks Ubu Night
        • David Lynch Ubu Night
        • Kafka Ubu Night
        • Tango Ubu Night
        • Ubu Ubu Night
        • Lovecraft Ubu Night
    • Canterbury Tales
    • The Soldier's Tale
    • Bluebeard's Castle >
      • Bluebeard's Castle credits
    • I Sing the Body Electric
    • Big Heads Protest
    • Hereafter
    • Passion, Pulse and Power
    • The Earthquake in Chile
    • Don Giovanni Invites you to Dinner
    • Doctor Faustus
    • The Marvellous Corricks >
      • Corricks - Credits
    • Distraction Camp
    • Remake
    • Ella and Susn
    • There and Back Again
    • Faust Chroma
    • Enigma Emmy Goering/Nico Sphinx of Ice
    • Change Proposal
    • Faust Feast
    • Diana Down Under
    • Philoctetes >
      • Production Credits - Piloctetes
    • Fantasia
    • Christmas Shopping
    • Grimm's Sleeping Beauty
    • Achternbusch in the Antipodes
    • Caucasian Chalk Circle
    • Samson Airline
    • Antigone
    • Kabarett Kabul
    • Footprints/Tapuwae
    • The Well Intentioned Wife
    • The Last Days of Mankind
    • Bakkhai / Diotek
    • Krapp's Last Tape
    • Murderer Hope of Women / The Philosopher's Stone
    • Comrade Savage
    • Love on a Bicycle
    • Crusoe: A Lapsarian Mass in Twelve Movements
    • Medea
    • Songs to the Judges
    • Resolution Island
    • Oedipus Rex/Oedipus at Colonus
    • The Empire Builders
    • States of Shock
    • Robinson Crusoe or: I That Was Born To Be My Own Destroyer
    • Power
    • MedeaMaterial
    • Salome
    • Electra
    • The Girl Who Sings Waterfalls
    • Hamletmachine
    • Oresteia
    • A Respectable Wedding
    • Bitter Tears of Petra von Kant
    • Cloudkiwiland
    • Double Act / Postponeless >
      • double act credits
    • Preversions
    • The Mortal Pleasure of Wander Lust
    • Red Cross & Takeaway
    • Lulu
    • Cowboy Mouth
    • The Meeting >
      • the meeting credits
    • Action / Tongues
    • The Rise and Fall of the City of Mahagonny
    • A Letter from L
    • Dinosaurs and All the Rubbish / The Hunting of the Snark
    • Free Theatre Christmas Show
    • The Ride Across Lake Constance
    • Electra
    • In Three Minds
    • The Rapist Over Suzannah
    • 1984: The Future Is Now
    • Make-up Ground down / Texts for Decomposition
    • Leonce and Lena
    • Court Case: Free Theatre vs The Arts Centre
    • The Almost Free Theatre Kabernette
    • The Joffongract
    • King Lear
    • Kabarett
    • King Ubu
    • Black Cat Cabaret
    • The Gas Heart/Ox on the Roof/The Mirror Wardrobe One Fine Evening
    • Jazz Cellar Dada / Heavy Metal Cabaret
    • Round Dance
    • Woyzeck
  • Te Puna Toi
    • Past Te Puna Toi Projects
    • Artists in Residence
  • SUPPORT
  • CONTACT