Our week-long KidsFest programme in The Gym this year, has worked in and around the Frankenstein set. Commedia dell'arte, Mauricio Kagel-inspired creation of instruments from everyday objects, Laban, Boalian mirror games, a field trip to the Canterbury Museum Antarctic section for inspiration, puppet-making with recycled materials, creating immersive environments with soundscapes and lighting. It's been an inspiring week!
"I came to the Frankenstein performance last night, and I just want to say thank you so much, we really enjoyed it. Your performances always leave me feeling like I have been jump started back into real life again. I took my partner who has recently emigrated here from Japan and she said it was the first time since she arrived that she felt like she was in a proper cultural city again. Thanks for everything, keep up the great work. We are looking forward to your future projects."
"[I] wanted to let you guys know that I saw your show tonight and thought it was incredible, the dedication and commitment from every performer was so essential and you all beautifully manipulated the energy of the audience. Left with a lot to talk about - on our drive home we discussed souls and the limitations of our physical bodies, where science has (and will) lead us, the nature of performing. And also about how polished it was in general (absolutely loved the sampled texts incl. the obscure and brief passages from Shelley's diaries etc) -- you managed to capture the ethereal essence of Shelley's tradition whilst forging a new experiential aesthetic. Totally loved and was moved by it, congratulations to all!"
“[I] think of it as a tribute to the enduring relevance of Mary Shelley's Frankenstein, with text sourced from Shakespeare, Walt Whitman, Janet Frame and references to modern horror films. It comments on our modern obsession with image and challenges whether perfection is something we should strive for or whether by striving for perfection we turn ourselves into 'monsters'. Well...that was my interpretation of it anyway. It's the best piece of theatre I've seen in ages! And very, very creepy and disturbing. I like creepy and disturbing."
"Thanks so much for having us last night, what a treat! It really is a whole other world in there, so great to experience something transformative like that. It's been ages. All the best for an excellent season. Please pass on our thanks to the whole cast and crew. It's a great show."
The dramatic theatre's spectator says: Yes, I have felt like that too – Just like me - it’s only natural – it’ll never change – the sufferings of this man appal me, because they are inescapable – that’s great art; it all seems the most obvious thing in the world – I weep when they weep, I laugh when they laugh.
Theatre of Cruelty means a theatre difficult and cruel for myself first of all. And, on the level of performance, it is not the cruelty we can exercise upon each other by hacking at each other’s bodies, carving up our personal anatomies, or, like Assyrian emperors, sending parcels of human ears, noses, or neatly detached nostrils through the mail, but the much more terrible and necessary cruelty which things can exercise against us. We are not free. And the sky can still fall on our heads. And the theatre has been created to teach us that first of all.
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