FREE THEATRE CHRISTCHURCH
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  • PRODUCTIONS 1979 - present
    • The Passionate Puritan
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    • Digitising Performance
    • Erewhon: Over the Range
    • A Summer Night's Dream
    • How Dare You
    • A Winter's Tale
    • Ars Acustica
    • Alice
    • The Black Rider
    • Frankenstein
    • The Mauricio Kagel Project
    • Footprints/Tapuwae
    • Kafka's Amerika
    • Ubu Nights >
      • Past Ubu Nights >
        • Ma Ubu Night
        • Ubu Through the Looking Glass
        • Ubu in Wonderland Ubu Night
        • Frankenstein Ubu Night
        • Casablanca Ubu Night
        • Faust Ubu Night
        • Not Hamlet Ubu Night
        • Punk Ubu Night
        • The Art of the Deal Ubu Night
        • Crossroads Ubu Night
        • Ubu Shows Us the Way to Brecht's Whiskey Bar
        • The Devil and the Blues Ubu Night
        • Bowie Ubu Night
        • Warhol Ubu Night
        • Berlin Kabarette
        • Beat Ubu Night
        • Twin Peaks Ubu Night
        • David Lynch Ubu Night
        • Kafka Ubu Night
        • Tango Ubu Night
        • Ubu Ubu Night
        • Lovecraft Ubu Night
    • Canterbury Tales
    • The Soldier's Tale
    • Bluebeard's Castle >
      • Bluebeard's Castle credits
    • I Sing the Body Electric
    • Big Heads Protest
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    • The Earthquake in Chile
    • Don Giovanni Invites you to Dinner
    • Doctor Faustus
    • The Marvellous Corricks >
      • Corricks - Credits
    • Distraction Camp
    • Remake
    • Ella and Susn
    • There and Back Again
    • Faust Chroma
    • Enigma Emmy Goering/Nico Sphinx of Ice
    • Change Proposal
    • Faust Feast
    • Diana Down Under
    • Philoctetes >
      • Production Credits - Piloctetes
    • Fantasia
    • Christmas Shopping
    • Grimm's Sleeping Beauty
    • Achternbusch in the Antipodes
    • Caucasian Chalk Circle
    • Samson Airline
    • Antigone
    • Kabarett Kabul
    • Footprints/Tapuwae
    • The Well Intentioned Wife
    • The Last Days of Mankind
    • Bakkhai / Diotek
    • Krapp's Last Tape
    • Murderer Hope of Women / The Philosopher's Stone
    • Comrade Savage
    • Love on a Bicycle
    • Crusoe: A Lapsarian Mass in Twelve Movements
    • Medea
    • Songs to the Judges
    • Resolution Island
    • Oedipus Rex/Oedipus at Colonus
    • The Empire Builders
    • States of Shock
    • Robinson Crusoe or: I That Was Born To Be My Own Destroyer
    • Power
    • MedeaMaterial
    • Salome
    • Electra (1993)
    • The Girl Who Sings Waterfalls
    • Hamletmachine
    • Oresteia
    • A Respectable Wedding
    • Bitter Tears of Petra von Kant
    • Cloudkiwiland
    • Double Act / Postponeless >
      • double act credits
    • Preversions
    • The Mortal Pleasure of Wanda Lust
    • Red Cross & Takeaway
    • Lulu
    • Cowboy Mouth
    • The Meeting >
      • the meeting credits
    • Action / Tongues
    • The Rise and Fall of the City of Mahagonny
    • A Letter from L
    • Dinosaurs and All the Rubbish / The Hunting of the Snark
    • Free Theatre Christmas Show
    • The Ride Across Lake Constance
    • Electra (1984)
    • In Three Minds
    • The Rapist Over Suzannah
    • 1984: The Future Is Now
    • Make-up Ground down / Texts for Decomposition
    • Leonce and Lena
    • Court Case: Free Theatre vs The Arts Centre
    • The Almost Free Theatre Kabernette
    • The Joffongract
    • King Lear
    • Kabarett
    • King Ubu
    • Black Cat Cabaret
    • The Gas Heart/Ox on the Roof/The Mirror Wardrobe One Fine Evening
    • Jazz Cellar Dada / Heavy Metal Cabaret
    • Round Dance
    • Woyzeck
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“Puritanism is the haunting fear that someone, somewhere, may be happy”
​
- H.L. Mencken
production credits
16-18 October 2025, The Pumphouse
Free Theatre invites you to the heritage Pumphouse to meet Jane Mander. Jane died in 1949 but comes alive for our performance to tell us about her almost forgotten life and work in the early 20th century as a feminist, suffragette and novelist. Her best known novel is The Story of a New Zealand River, which inspired Jane Campion’s film The Piano and Michael Parekōwhai’s series of piano sculptures. As a self-confessed passionate puritan, Jane has some things to say about these works and about the passionless puritans of today. 

Devised and directed by Peter Falkenberg, with design by Chris Reddington and Stuart Lloyd-Harris, Jane Mander is performed by Marian McCurdy who is joined by Aaron Hāpuku and Chris Reddington on the piano. 

Performances:     

Thursday 16th October 8.00pm
Friday 17th October 8.00pm
Saturday 18th October 8.00pm

The Pumphouse Bar is open from 7.30pm prior to the performance for ticket holders only.

Location: The Pumphouse, 544 Tuam St
Tickets: $20/$30 https://events.humanitix.com/the-passionate-puritan

​Presented with the support of Pub Charity, NZCT and Christchurch City Council.

*Themes suitable for a mature audience
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Photos by Sabin Holloway
“Puritanism is an awful disease”
- Jane Mander, ‘The Story of New Zealand River’

“More than anything else, the New Zealander is passionless. He is the ad hoc man, the pragmatic fixer of things. If he feels a passion coming on, he goes and paints a roof”
- Gordon McLauchlan, ‘The Passionless People’

“Much of my work is about learning how to play. I don’t see life ultimately as being about competing and winning, its about participating”
- Michael Parekōwhai

“We penetrated deeper and deeper into the heart of darkness” 
- Joseph Conrad, ‘Heart of Darkness’

“I wish there was a treaty. Between your love and mine”
​- Leonard Cohen, ‘Treaty’

“Please don’t ever turn me into a ghost. I should be the most uneasy spirit you have ever known. But if you do, let me have a cemetery all to myself. I insist on it.”
​- Jane Mander, ‘The Strange Attraction’
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Reviews:

An original production by Free Theatre, The Passionate Puritan is riveting, its dramas real. These are not the dramas of love and lust in an untamed forest, but rather the dramas of disconnection and distance, of recrimination, missed meanings and regret — and of historical injuries that continue to hobble us while remaining unnoticed in our quotidian distractions. Free Theatre deserves more credit than it gets for the contributions it continues to make to cultural life in Ōtautahi with productions like this, which are at once thoughtful, entertaining, provocative, accessible and fun.
​

'The Passionate Puritan – a riveting postcolonial drama unafraid to take risks' October 17, 2025 by Creon Upton for Flat City Fieldnotes
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Image: Heaphy, Charles: Kauri forest, Wairoa River, Kaipara. [1839]​
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Audience response:

...such a superb play and superb performance by all three of you. I was blown away how fab you three were. Your beginning was like a delicious novel that makes  you inwardly smile with delight…. Really,  your acting capacity is equal to any I have seen at the court ( well better in many cases).  Chris’s musical capability- Avant Garde sound creation and his sensitive jazz thrilled me and Aaron carried the depth of Nga Puhi in a sonorous beautiful way. I totally loved it and was disappointed that I couldn’t give you a standing ovation,  and that more people weren’t there, so I’ve texted everyone I know and I hope for a full house tonight....
And  not sure Gordon McLaughlin is right anymore... 
I’m extra extra  impressed that you wrote it - Kei te Tino pai !
- Thomas Proctor
Incredible piece. So many fascinating morsels to chew on. Beautifully written and performed 👏🔥
​ - Donna Demente
Loved all the soundscapes in this show! Classic Free Theatre creativity on display.
- plangirl_chch
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I enjoyed last night's performance very much. I found it equally funny and provocative... And yet again Free Theatre showed its mastery of staging.
- Michael Prentice
...just wanted to say what a fantastic performance last night... Held us the whole way thru.
- Nicole Reddington
Congrats, that was great. Jane Mander lives and wants her royalties! Backdated! And all very current themes. Loved the "property rights" reference 
- Leanne Morgan

Press Articles:

"Theatre Brings Back Forgotten Feminist", Victoria Meakin, The Press, October 13th 2025
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  • HOME
  • ABOUT
    • A brief history...
    • Manifestos and Writings
    • Who We Are
    • The University Connection
    • Shirley Horrocks documentary
    • Training and Devising
    • Home, Space and Design
  • WHATS ON
    • Four Saints in Three Acts
  • EDUCATION
    • Kids Holiday Programmes
    • Schools Workshops
    • Adult workshops
  • PRODUCTIONS 1979 - present
    • The Passionate Puritan
    • The Cat Eleonore
    • The Deadbeat Opera
    • Babylon Berlin
    • Beggars Banquet
    • Woyzeck
    • The Axe
    • Endgame
    • Digitising Performance
    • Erewhon: Over the Range
    • A Summer Night's Dream
    • How Dare You
    • A Winter's Tale
    • Ars Acustica
    • Alice
    • The Black Rider
    • Frankenstein
    • The Mauricio Kagel Project
    • Footprints/Tapuwae
    • Kafka's Amerika
    • Ubu Nights >
      • Past Ubu Nights >
        • Ma Ubu Night
        • Ubu Through the Looking Glass
        • Ubu in Wonderland Ubu Night
        • Frankenstein Ubu Night
        • Casablanca Ubu Night
        • Faust Ubu Night
        • Not Hamlet Ubu Night
        • Punk Ubu Night
        • The Art of the Deal Ubu Night
        • Crossroads Ubu Night
        • Ubu Shows Us the Way to Brecht's Whiskey Bar
        • The Devil and the Blues Ubu Night
        • Bowie Ubu Night
        • Warhol Ubu Night
        • Berlin Kabarette
        • Beat Ubu Night
        • Twin Peaks Ubu Night
        • David Lynch Ubu Night
        • Kafka Ubu Night
        • Tango Ubu Night
        • Ubu Ubu Night
        • Lovecraft Ubu Night
    • Canterbury Tales
    • The Soldier's Tale
    • Bluebeard's Castle >
      • Bluebeard's Castle credits
    • I Sing the Body Electric
    • Big Heads Protest
    • Hereafter
    • Passion, Pulse and Power
    • The Earthquake in Chile
    • Don Giovanni Invites you to Dinner
    • Doctor Faustus
    • The Marvellous Corricks >
      • Corricks - Credits
    • Distraction Camp
    • Remake
    • Ella and Susn
    • There and Back Again
    • Faust Chroma
    • Enigma Emmy Goering/Nico Sphinx of Ice
    • Change Proposal
    • Faust Feast
    • Diana Down Under
    • Philoctetes >
      • Production Credits - Piloctetes
    • Fantasia
    • Christmas Shopping
    • Grimm's Sleeping Beauty
    • Achternbusch in the Antipodes
    • Caucasian Chalk Circle
    • Samson Airline
    • Antigone
    • Kabarett Kabul
    • Footprints/Tapuwae
    • The Well Intentioned Wife
    • The Last Days of Mankind
    • Bakkhai / Diotek
    • Krapp's Last Tape
    • Murderer Hope of Women / The Philosopher's Stone
    • Comrade Savage
    • Love on a Bicycle
    • Crusoe: A Lapsarian Mass in Twelve Movements
    • Medea
    • Songs to the Judges
    • Resolution Island
    • Oedipus Rex/Oedipus at Colonus
    • The Empire Builders
    • States of Shock
    • Robinson Crusoe or: I That Was Born To Be My Own Destroyer
    • Power
    • MedeaMaterial
    • Salome
    • Electra (1993)
    • The Girl Who Sings Waterfalls
    • Hamletmachine
    • Oresteia
    • A Respectable Wedding
    • Bitter Tears of Petra von Kant
    • Cloudkiwiland
    • Double Act / Postponeless >
      • double act credits
    • Preversions
    • The Mortal Pleasure of Wanda Lust
    • Red Cross & Takeaway
    • Lulu
    • Cowboy Mouth
    • The Meeting >
      • the meeting credits
    • Action / Tongues
    • The Rise and Fall of the City of Mahagonny
    • A Letter from L
    • Dinosaurs and All the Rubbish / The Hunting of the Snark
    • Free Theatre Christmas Show
    • The Ride Across Lake Constance
    • Electra (1984)
    • In Three Minds
    • The Rapist Over Suzannah
    • 1984: The Future Is Now
    • Make-up Ground down / Texts for Decomposition
    • Leonce and Lena
    • Court Case: Free Theatre vs The Arts Centre
    • The Almost Free Theatre Kabernette
    • The Joffongract
    • King Lear
    • Kabarett
    • King Ubu
    • Black Cat Cabaret
    • The Gas Heart/Ox on the Roof/The Mirror Wardrobe One Fine Evening
    • Jazz Cellar Dada / Heavy Metal Cabaret
    • Round Dance
    • Woyzeck
  • Te Puna Toi
    • Past Te Puna Toi Projects
    • Artists in Residence
  • SUPPORT
  • CONTACT