'Medea Material' by University Drama - The Press, 11 Oct 1995

Free Theatre with University Drama Programme presents "Medea Material" by Heiner Mueller at the University Theatre, Arts Centre. Di- rected by Peter Falkenberg. Running time: about 2 hours. Reviewed by Imogen de la Bere.

It is not often that I am stuck for words. But in describing "Medea Material" I cannot find language adequate to the experience. It bears as much relationship to what passes for theatre here as chess does to snakes and ladders.

As an experience it is like a cross between a religious ritual and an act of sex. It has its own internal logic, its own overwhelming life-view, its own absolute absorption.

It exalts and terrifies, demands complete concentration, yet allows the participants freedom and a complex form of relaxation. None of this, I am aware, comes near to conveying what "Medea Material" is like; since the event enlarges our perception of what is possible, comparsons will in fact prove fatuous.

In simple terms, the heart of the performance is in fact five performances, all enacted in different parts of a brilliantly devised, house - full of nooks and stairs and peepholes.

Five performances of "Medea" happening more or less simultaneously; each a variation on the theme, each riveting. The observer torn this way and that, watches a part of this version over here, then catches a fragment of that amazingly different version over there.

Performances of such discipline and intensity are rarely seen, even on the professional stage. That ten student actors could work together, and separately, consistently at this level would be incredible, were it not true.

Of the four components of the piece, I found the second and fourth ("Despoiled Shore", "Landscape with Argonauts") a little overblown. The latter, after the shattering brilliance of the central Medea play, was rather a disappointment. Nor could I under- stand why the physical exactitude of the mime mid ritual was not matched in the dancing.

Small irritants aside, Falkenberg has, once again, set a standard of brilliant imaginative theatre which others can only dream of attaining. But if only they would just dream of it.

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