March / July 2004, March - April 2009
Production History
Performed in Christchurch, March 2004, at Old Queen's Theatre, as part of Achternbusch in the Antipodes
Performed in Wellington, July 2004, at Studio 77, as part of the Australasian Drama Studies Association (ADSA) Conference
Performed in Wellington, July 2004, at Wellington Artists' Charitable Trust (WACT)
Performed in Christchurch, March 2009, at Old Queen's Theatre, as a tour launch
Performed in Dunedin, April 2009, at The Globe Theatre, as part of the Dunedin Fringe Festival
Winner, Best Theatre, Dunedin Fringe Festival, April 2009
Nominated, Best Production Design, Dunedin Fringe Festival, April 2009
Production History * Cast & Crew * Synopsis * Video & Images
* Reviews
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ELLA
Josef
Ella
SUSN
Susn
Priest
Director
Designers
Sound & Images
Film Images
Production Company
Running Time
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George Parker
Roslyn Nijenhuis & Nicola Nolet
Marian McCurdy
George Parker
Peter Falkenberg
Chris Reddington & Richard Till
Ryan Reynolds
from Werner Herzog's Stroszek and Even Dwarfs Started Small
Free Theatre Christchurch
Approx 75 mins
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Production History * Cast & Crew * Synopsis * Video & Images
* Reviews
SYNOPSIS:
Originally presented in 2004 in Christchurch and Wellington to critical and
popular acclaim, Ella and Susn continue the company's 2009 season after a successful
North Island tour of the award-winning Faust Chroma.
Again directed by Peter
Falkenberg, these plays by radical German playwright Herbert Achternbusch present
rarely heard voices from the margins of society. In Ella a man, dressed in his mother's
clothes (á la Hitchcock's Psycho), tells the story of his mother, abused and
institutionalised. In Susn a young woman confesses to her priest how her first sexual
experiences have caused her to want to leave the church.
In staging these works, Free Theatre Christchurch continues a 25-year reputation for
presenting rarely staged plays. As with Faust Chroma, Ella and Susn were translated
by the director and presented in English for the first time by the Free Theatre.
This
production has received particular attention for its unusual narrative style and "rich,
satisfying prose" (The Press), which is a feature of Achternbusch's unconventional
and challenging work as a playwright, novelist, filmmaker, actor and painter. Despite
being one of the most prolific artists of the past forty years, he remains largely
unknown. His obscurity is primarily due to his unwillingness to adhere to the norms
of art and society, most exemplified when he set fire to an art reward he received: a
$20,000 cheque.
Production History * Cast & Crew * Synopsis * Video & Images
* Reviews
Images (click for a better view):
From March/April 2009:
From April/July 2004:
Production History * Cast & Crew * Synopsis * Video & Images
* Reviews
Publicity and Reviews
From March/April 2009:
Projections of hidden drama - The Press, 28 March 2009, Reviewed by Creon Upton
Surprises to stimulate and delight - Theatreview, 2 April 2009, Reviewed by Terry MacTavish
Reality through the surreal - Theatreview, 26 March 2009, Reviewed by Lindsay Clark
On the fringe of decency - Otago Daily Times, 2 April 2009
Storytelling bender - The Press, 25 March 2009
From April/July 2004:
Achternbusch's Feast of Delights - The Press, 10 May 2004, Reviewed by Alan Scott
Gritty, Provocative Offering - Christchurch Star, 12 May 2004, Reviewed by Christina Stachurski
Three Plays by Herbert Achternbusch - CANTA, 19 May 2004, Reviewed by Erin Harrington
Production History * Cast & Crew * Synopsis * Video & Images
* Reviews