Man of a thousand faces, his work with paint, music, film and concept all has traces of his unique take on life. Part new world and part old world, this duality is echoed in the flavours he evokes with his work; past vs present, too loud for folk vs too quiet for rock, light vs dark, Davidson's restless work refuses to be still for the portrait it is asked to sit for. A pattern we see in his own restless life, indeed, the apple never falls far from the tree. His inspirations range from Hank Williams and Howlin’ Wolf to The Birthday Party, from Johnny Cash through Suicide to Buster Keaton. Reveling in the darker side of things, Davidson’s lyrical content dredges up classic murder ballads, songs with a deep insight into the human condition, and hypnotic trance takes on old blues classics. All liberally laced with an abiding sympathy for human quirks, failure, foibles and triumphs.
The Arts Foundation Laureate collaborated with Free Theatre on The Black Rider.