Probably no-one can really explain what music is and why it comes about. That has always been a concern of mine. I am convinced that I became a composer because I believed that by writing music, I would find the answers. In vain. These days I am not so young, but I am very happy that no valid definition has yet emerged – the mystery persists.

--- Mauricio Kagel

I'm very curious, and I can live as a composer only once. It's a regrettable fact, but also a useful one, because a composer above all must know how to make use of time.
--- Mauricio Kagel

What I’m trying to do is something that I love, what I like, and think I need. In that moment, you have to be very honest... If you try to be honest with yourself, and write what you think you need, not what you think other people need, or music critics, or colleagues, you will then be trying to communicate your truth. If it has that truth, then it will be interesting.
--- Mauricio Kagel

...How conservative was the avant-garde of the sixties, and how conservative has experimental music become today? I could speak about academic experimental music, but then I’m talking about killing all of the possibilities that an experiment can have. In an experiment, the end result is very difficult to predict. Certain processes are unpredictable, but experimental music has become very predictable. I’m not interested in the old opposition of avant-garde and rear-guard. I’m a classic example of someone who did things that weren’t in the mainstream during the time of the avant-garde. To obey the rules of style, I was always absolutely against that. Pieces that are written without anarchy, without going against style, against the stony dimension of style, are more-or-less impossible to hear.
--- Mauricio Kagel

Composing for the prepared piano is not a criticism of the instrument.  I'm only being practical.
--- John Cage

Music has also been a scenic event for a long time. In the nineteenth century people still enjoyed music also with their eyes, with all their senses. Only with the increasing dominance of the mechanic reproduction of music, through broadcasting and records, was this reduced to the purely acoustic dimension. What I want is to bring the audience back to an enjoyment of music with all senses. That’s why my music is a direct, exaggerated protest against the mechanical reproduction of music. My goal: a rehumanization of music-making!

---Mauricio  Kagel (1970)